I accidentally made a dictation compelling. This is my story.

So, dictation/dictatio. I love dictations because they are QUIET and I don't really have to grade them. They also really seem to help with spelling & listening, and they force the skimming kids to actually READ the Latin in front of them. Beautiful! But... the kids hate them. They're not especially comprehensible as input, especially if you're using new words. You have to use them s.p.a.r.i.n.g.l.y or else do them in more complex but totally awesome ways that I'd have to, like, prep for. I'm much too lazy for that (or alternatively, my brain is too full to learn any new activities at the moment).

The past two weeks I did two story listens. I liked doing them and the kids mostly liked doing them. They seemed to work pretty well for getting the vocab into their brains. They will be hella part of my rotation, which means it's all the more important that I not overdo them. This week I needed to do something else to do some kind of story about the gods. I decided to do a simplified version of the Cronos-baby-nomnoms story, because I think it's hilarious, and it's as good a place to start for the Olympians as anything else.

The way it played out in different classes... differed, depending on time and what other stuff I had to do with each class and all that. Some classes got straight out dictate ten sentences, then correct ten sentences, then translate & discuss ten sentences. Others got dictate one, correct one, then translate & discuss the whole thing at the end. Still others got dictate, correct, translate & discuss, repeat. (The latter is an idea I got from Chris Buczek, btw, who has a new blog and you should read it.)

Here are some things I did that made it work well.

1. The last order- dictate, correct, translate together & discuss- is definitely the best one. Why?

• Seeing the corrections on each sentence means kids build confidence as they go. Even if Iuppiter sounds like nonsense the first time, after they've seen it in writing once, it goes much easier. 
• The same thing builds comprehension as you go. For example, -que on the end of otherwise known words was upsetting and incomprehensible the first time they heard it, but once they'd seen it written and had it explained, the next five times were comprehensible input. 
• It breaks up the tedious listening & writing.
• It slows down the storytelling, which builds suspense, because they didn't get to find out what happened next until they'd heard & corrected another sentence.

2. Before we started, I brought out my big thing of colored pencils and said, "Come pick out a colored pencil to use for corrections." This tactic meant:

• they had to move their butts out of their seats to walk over to my colored pencils before we did a long, seated activity.
• they got to make a personal choice, even such an unimportant one as what color to use.
• they got to use fun colors, which tbqh is the only way I get through grading. It is juvenile, but it really does make life cheerier.

3. This part was by accident. Here's the dictatio in English. The unknown words are in brackets. The Latin is here in a variety of formats & tenses. 

1. Saturn is the [king] [of the gods], because he kills [his own] father.*
2. Rhea, sister and wife of Saturn, is the [queen] [of the gods].
3. Saturn and Rhea have many sons [and] daughters. (the "and" was a -que btw)
4. Saturn eats his sons [and] daughters because he [fears] [them].
5. Rhea [saves] one son.
6. [That] son, Jupiter, attacks his father.
7. Jupiter takes his brothers [and] sisters out of his father's stomach.
8. Jupiter [saves] his brothers [and] sisters.
9. Jupiter [wages] [war] [against] Saturn.
10. Jupiter puts Saturn in Tartarus.

Sentences 1, 2, 4, and 7 (and to a lesser extent, 6) contain shocking details: patricide,* incest, cannibalism, taking people out of someone else's stomach. Thus, they are the most compelling sentences. Since those sentences also contained mostly known vocab, they were also the most comprehensible. Thus this result:

Sentence 1: ":mild shock:"

Sentence 2: "What?" "Eww!" "Incest?!"

Sentence 4ish: ":gasp:" "I think I understand a lot of what's going on, but it's really weird."

Setence 7: "STOMACH?" (stomachus) "But they're dead, right? How can they be fine?"

Entirely by accident, I managed to pepper the dictatio with built in "hooks" to engage the kids in the story while they did the tedious work of writing down what I said. I am TOTALLY doing that on purpose next time!

* yes I know he didn't kill Uranus, but I forgot while I was writing this, and also they don't know the verb "to castrate" or "to defeat." I casually added the castration part in as we translated. 

One thing I can't account for is that several of my literally-does-nothing-in-every-class kids participated and did the dictatio. Like, all of it. Even when I didn't finish on day 1 so it was two days in a row to some extent. I DO NOT KNOW WHY. We're talking three out of four kids who never do ANYTHING, in different sections of Latin 1. The fourth one is usually asleep and he slept through this too. If you have any ideas why dictatio was the thing that worked for them, I'd love to know. Maybe because it's a "free hundred." But so are my bell ringer activities, basically, and these kids don't do those... It's a mystery. A beautiful mystery.

Spoken Latin in the classroom

The core tenet of CI is that kids need comprehensible input to acquire language-- a LOT of it. As Latin teachers we traditionally only provide input in written form, and it's rarely if ever actually comprehensible. So how can we deliver more input? By speaking Latin... a LOT. Terrifying! Right?

Well, yes. It's hard. But we've got to do it. I'm going to say right now that I'm really very weak. We've done classroom commands and stuff but I hardly ever use them. We do attendance in Latin now, but that's limited to "adestne Marcus?" "adsum." etc. When I'm doing a story or PQA, I speak Latin, but I pretty regularly break into English, and very few of the kids use Latin beyond sic, non, and adsum. One of my goals for next year* is to really push the spoken Latin and use it whenever possible.

Oh wait there's the rub. "Use it whenever possible." There are two huge constraints on this before we even worry about the kids' use of English. The first is the teacher's ability to speak, and the second is the kids' ability to understand.

As Latin teachers, we are usually pretty horrible at output. Most of us never even take prose comp courses, and forget about speaking practice. I posted previously about how to improve your spoken Latin (tl;dr: the answer is get more comprehensible input yourself!).

What about ensuring that the kids can understand you? You can read Cicero to them all day and they won't acquire a damn thing. You have to make sure that the input you provide is truly comprehensible. How do we do that? More under the cut.

MadLibs! How to get reps in without feeling the burn

MadLibs is a fantastic activity for when you are low on brainpower. It is a terrible activity for a day you are losing your voice, so don't use it then. It's also a great activity for your lowest achievers to get some class work done for once! TPRS stories are perfect for this since they're essentially MadLibs to begin with.

The steps to using it are as followings:
1. Earlier in the week, tell a story, TPRS style (or however). Maybe your story turns out like this:

Jack wants dogs. Jack goes to McDonalds. In McDonalds there are many dogs, and they are hungry. The dogs eat Jack.

2. Review it at least one more time through choral reading &/or translation or reenactment or something else to get them familiar with the target structures, story pattern, & vocabulary.

3. Hand out MadLibs sheet, which looks like this:

__________ (1) person
__________ (2) person or thing, plural
__________ (3) place
__________ (4) adjective (describing word)
__________ (5) transitive verb (I would never use the word 'transitive' for my students though)

 __________ (1) wants a __________ (2). __________ (1) goes to __________ (3). In __________ (3) there are many __________ (2), and they are __________ (4). The __________ (2) __________ (5) __________ (1).

Now draw the ending of the story to show me you understand what happened.

So you could end up with:

Hello Kitty (1) person
sandwiches (2) person or thing, plural
Rome (3) place
fuzzy (4) adjective (describing word)
kidnap (5) transitive verb

Hello Kitty wants sandwiches. Hello Kitty goes to Rome. In Rome there are many sandwiches, and they are fuzzy. The sandwiches kidnap Hello Kitty.

(imagine there is a beautiful drawing of Hello Kitty in a sack being carried by sandwiches here)

n.b.: The picture part is important because it shows you whether the kids comprehended their own story or not.

4. Reenactment time! Ask for volunteers to be actors & to have their stories read. Actors do not have to be the ones who wrote a given story. Read each MadLib aloud as the actors perform it. Reps, reps, reps!

Extra tips:

• The MadLib should be in the TL, but I always allow them to fill in the parts of speech in English so there's no limit to the madness. It also means even your weakest, most "I don't know Latin I can't do this" kids have no excuse not to write down some random words. 
• ... but  if someone puts an English word that you know everyone should have acquired by now (e.g. stupid = stultus, and they all know that), replace the English with Latin when you read aloud. I also always fix inflection of nouns, etc.
• Make it shorter than your original TPRS story. If your story had 3 locations, cut it down to one or two. Filling in the blanks gets pretty arduous.
• I often put them in pairs to do the MadLib part, since they're going to be asking each other for help thinking of adjectives anyway. I still require each individual student to make up their own worksheet though. Plus if some kids are slower to finish than others, you can have the finished pairs read & translate their stories together before you do the whole class part.

Here's a real example of a story I did plus its MadLibs worksheet.

PQA Ideas for Indirect Statement

This week I've been focusing on third declension and also introducing indirect statement a lot. I've been doing the latter almost entirely through PQA. I basically did one of the following each day this week, including the past ones as I went.

Indirect statement with dicit
Have on board:

• Quid agis? - How are you?
• bene / optime - well / excellent
• male / pessime - bad / really bad
• fessus / esuriens / odiosus sum - I'm tired / hungry / bored
• dicit se esse - says s/he is...
• dixit - said
• se - oneself
• Quis alius dixit...? who else said...?

Ask kids how they're doing. Repeat their answer to the class in the form "Angela se esurientem esse dicit." (Angela says she's hungry) Mix it up by asking "Quis alius se esurientem bene dixit?" (Who else said they were hungry?) They'll be like "Henry" so you'd say "Sic, Henrius quoque se esurientem esse dixit. Henrius et Angela se esurientes esse dixerunt." (Yes, Henry also said he was hungry. Henry and Angela said they were hungry.) etc.

Once they're sick of that, ask individuals to say nice things about their friends in the class & repeat them as above. "Angela Henrium pulchrum esse dicit." (Angela says Henry is handsome.)

ALT: Add "mendax - liar" to the board. Pretend a stuffed animal is talking to you (thanks Bob Patrick!). Say "Elephans mihi dixit Angelam longam esse. Estne mendax?" (The elephant told me Angela is tall. Is he a liar?)

Indirect statement with audit
Have on board:

• Quid audivisti? - What have you heard?
• fama benigna / rumor benignus - nice rumor
• audivi (person) esse... - I heard (person) is...

Ask for "nice" rumors about people: who is smart? who is tall? who is happy? who is sad? etc. If you feel like it, introduce habere (to have) as well and you can talk about pets, significant others, etc. If your kids already know infinitives, just use whatever they know. We haven't covered them really yet so I limited it. After kids give you answers, use your best juicy rumor voice to tell the class "audivi Angelam elephantem habere!" etc.

Indirect statement with vidit

I didn't come up with anything good for this question. I threw it in with the other ones here and there but didn't focus on it.

Indirect statement with putat

Have on board:

• Quis est optimus magister in schola? - Who is the best teacher in the school? (or similar: best singer, dancer, etc. or tallest/shortest person... and so on)
• putat ... (optimum magistrum in hac schola) esse - thinks ... is (the best teacher in this school).

If you're comfortable with it, the kids really prefer to answer who the WORST teacher is. Anyway, after their answers, say, "Angela magistrum optimum Mr. Ciceronem esse putat." You can ask if they agree or not: "quis consentit?" (Who agrees?)

Indirect statement with credit

This one is the most fun

Have on board:

• credit ... veros/as/a esse - believes ... are real
• credebat - used to believe
• umbra - ghost

Start with those & add things as your kids make suggestions. I also had alienus (alien), sirena (mermaid), monstrum (monster), numen dentium (tooth fairy), Bigfoot, Illuminati... etc.

Ask: quis credit umbras esse? (who believes ghosts are real?) I got a lot of yesses. Repeat their answers: "Angela credit umbras veras esse." (Angela believes ghosts are real) etc.

Then ask: "quid est stultissimum/alienissimum quod umquam credebatis?" (what's the stupidest/weirdest thing you ever believed?) This is when you'll get Santa, Tooth Fairy, etc. 

This has led to lively class discussion and a TON of reps. PQA can be hard so I thought I'd share things that worked for me.

Got any awesome PQA ideas for any topic? Or other ideas for dealing with indirect statement? I'd love to hear them. Thanks for reading!

Story Script & activities: The Gift of the Magi

Salvete omnes! It has been a busy week so I apologize for only now updating. Today it's just a quick set of links. I wrote a version of The Gift of the Magi in Latin, and I have an accompanying set of Flyswatter sentences and a Comprehension Check.

Story
Flyswatter
Comprehension Check

Sorry, no English this time! I found that my kids could understand the story if I just read it to them with gestures, but they received it better if we watched this somewhat creepy animation of the story first. Not recommended if the Uncanny Valley isn't your thing:

If anyone knows of an un-narrated version that still has sounds and music, please comment! I think it'd work a lot better for our purposes.

Fashion Show - input activity for clothing and colors

This past week was "Spirit Week" at my school as well as Thanksgiving week, so needless to say, the kids weren't in a very scholarly mood. I decided to cover clothing since it's not super important for Latin students and half the kids were already in silly themed Spirit Week outfits. (Update, a week later: Yeah almost no one remembers the target structures from this week. Oh well. At least I can say I covered it! YMMV)

Before I did this activity, I'd already done some PQA and a story using clothing words. I'll put those up eventually.

Materials: lots of clothes, the weirder the better. Ask your drama department to borrow some if you can't gather them on your own, or ask the kids for volunteers (don't require it especially if you have a poorer population).

A small whiteboard for each judge is also helpful but you can use paper.

Roles: stylists, models, judges. Photographers optional.

Setup: Set up the desks so there's a "runway" for models to walk. Put all the clothes and accessories in one place. Put useful vocab up on the board, including colors and patterns as well as clothing terms. Have water handy because you're going to be talking a lot.

Venatio / Animal Hunt

This game is for those times when you need a lot of input on one or two structures, and you just don't have the brainpower to do another storyask. I came up with it on a day when the kids wanted to each hold a stuffed animal, and I needed a way to make that educational.

Materials:
Object to "hide" - small stuffed animals like Beanie Babies are great, but you could do it with markers or really anything. The object can be one thing, or you can have a variety of them and let the Seeker choose.

Active Players:
Teacher
Hider(s)
Seeker

Setup:
Target Structures should be on the board. The first time I played this game, I wanted to get a ton of repetitions for "s/he goes." My board had "I go," "you go," and "s/he goes."

We'd also done a lot of previous work with "s/he wants" and some with "I want" and "you want" so I peppered those in as well. You could easily add forms of "has." You can also do a version of this with prepositional phrases (see below).